Karen Kain: A Day of Dance, Story & Legacy
DATE: November 7, 2026
In partnership with First City School of Dance, ARC Academy is proud to welcome Canadian cultural icon Karen Kain for an inspiring day celebrating dance, mentorship, and artistic legacy.
The day begins with Ms. Kain joining local dancers in the studio for a class observation and informal talkback session. In this intimate setting, students will have the opportunity to share space with one of Canada’s most celebrated dancers and gain insight from her extraordinary career on and off the stage. This portion of the visit forms part of ARC Academy’s ongoing commitment to arts education and community outreach in Atlantic Canada.
That same evening, Karen Kain will attend a special VIP screening of Swan Song at the BMO Studio Theatre. The acclaimed documentary directed by Chelsea McMullan, with executive producer Neve Campbell and co-writer/producer Sean O’Neill, follows Kain as she returns to The National Ballet of Canada to direct Swan Lake as her final major artistic project before her retirement.
The screening will be followed by a post-show Q&A moderated by her longtime friend and former dance partner, Frank Augustyn, offering audiences a rare opportunity to hear firsthand reflections on her remarkable career and lasting impact on Canadian dance.
Karen Kain’s career spans more than five decades and includes her rise from Corps de Ballet member in 1969 to Principal Dancer following her acclaimed debut as Odette/Odile in Swan Lake. An internationally celebrated artist, she has performed with leading companies around the world, collaborated with major choreographers, and maintained a historic partnership with Frank Augustyn, with whom she earned international recognition at the 1973 Moscow International Ballet Competition.
For more information, please connect with our Outreach Coordinator Jesse McRae at: jesse.mcrae@saintjohntheatrecompany.com
Please note this is an invitation only event.
On June 30, 2021, Karen Kain stepped down as Artistic Director after a brilliant career with The National Ballet of Canada that began in 1969, when she first joined the company as a member of the Corps de Ballet. She was promoted to Principal Dancer in 1971 following a sensational debut as Odette/Odile in Swan Lake and quickly achieved international fame as one of the great classical dancers of her era. Karen is the longest-serving Artistic Director since Founder Celia Franca and a Canadian dance icon of global influence.
Karen Kain was born in Hamilton, Ontario and trained at Canada’s National Ballet School. After joining the National Ballet, she quickly distinguished herself as an artist of extraordinary depth and versatility, and she formed an historic dance partnership with colleague Frank Augustyn. In 1973, the pair competed at the prestigious International Ballet Competition in Moscow, with Karen winning the Silver Medal in the Women’s Category and both dancers receiving a special prize for Best Pas de Deux.
Karen performed in many of the great classical and contemporary works of her time, collaborated with international choreographers on new roles and appeared as a guest artist with such companies as Paris Opéra Ballet, Roland Petit’s Le Ballet de Marseille, Bolshoi Ballet, London Festival Ballet and Vienna State Opera Ballet. She also developed a close creative partnership with Rudolf Nureyev and performed with him often.
In 1998, Karen became Artist-in-Residence with the National Ballet following her retirement from dancing in 1997 and the role was expanded to Artistic Associate in 1999. She was appointed Artistic Director of the National Ballet in 2005. The following year, she restaged Rudolf Nureyev’s The Sleeping Beauty for the company’s inaugural season at the Four Seasons Centre for the Performing Arts in Toronto.
Karen identified three high level goals for herself as Artistic Director: to resume international touring, attract the world’s leading choreographers and to nurture Canadian talent.
She achieved them all. During her tenure, the National Ballet embarked on 23 international tours and 29 Canadian tours, commissioned or acquired 71 works for the repertoire and received worldwide acclaim for the calibre of its dancing. These successes include the company’s first-ever Russian tour, landmark appearances in London, England and Paris, France, the co-commission of Christopher Wheeldon’s Alice’s Adventures in Wonderland and The Winter’s Tale with The Royal Ballet, the North American premiere of John Neumeier’s Nijinsky and the launch of the $104 million Soaring Campaign, the largest fundraising campaign in the company’s history. Karen also appointed three Choreographic Associates, established Creative Action to support Canadian choreographers and expanded the company’s education and community engagement initiatives, reaching over 100,000 students and community members each year.
Karen has received many awards and honours for her accomplishments. She is Companion of the Order of Canada, holds the Order of Ontario, was the first Canadian recipient of the Cartier Lifetime Achievement Award and was named an Officer of the Order of Arts and Letters by the Government of France. Karen received a Governor General’s National Arts Centre Award in 1997, a Governor General’s Award for Lifetime Artistic Achievement in 2002 and the Barbara Hamilton Memorial Award in 2007.
From 2004 to 2008, Karen was Chair of the Canada Council for the Arts and in 2007, the Karen Kain School for Arts opened in her honour. In 2011, she received the Distinguished Artist Award from the International Society for the Performing Arts and in 2019, Karen became the first Canadian to be honoured with the Queen Elizabeth II Coronation Award, the highest honour conferred by the Royal Academy of Dance.
On July 1, 2021, the Board of Directors named Karen Artistic Director Emerita of The National Ballet of Canada.